
The Call is Coming from Inside the House: Third Cinema and Disruptive Distribution
by Sara Carter Conley How do you make Third Cinema from within the empire of capitalism? How do you make Third Cinema when, today, mainstream studios and distributors have co-opted many of the methods, themes and techniques that originated out … Read More

Third Podcasting: new possibilities for activist audio documentary
by J. Shane Over the past seven years, the media landscape has seen a boom in podcasting. What was once a marginal means of content distribution has become recognized as a lucrative investment opportunity; large and dedicated audience potential, … Read More

Streaming, New Media and Alternative Distribution in South Asia
by Fahim Hamid For independent South Asian artists who struggle to find platforms for their work, one would think that the age of streaming would make it easier than ever before for all artists to find their audience and distribute … Read More

How Third Cinema Demonstrates Individual Accountability within One’s Community
by Crystal Noelle Rand Purpose statement: This project idea was born out of a self-actualizing transformation of my own individual power after bouts of feeling estranged from my own community/family. I recognized that feeling powerless can cause a form of … Read More

History and Application of Infringement Festivals in Buffalo and Beyond
by Robyn Duncan In 1947, as an attempt at an artistic renaissance post-WWII, an international festival of the arts was planned in Edinburgh. Several hoity-toity ballets, orchestras, and opera companies were invited to perform, yet poorly funded but thriving … Read More

Do It With Others Film Distribution
by Fredgy Noël This video essay focuses on the concept of Do It With Others filmmaking. In an industry focused on financing mainstream films with big budgets, independent filmmakers are not guaranteed distribution deals. In 2010, Ava Duvernay organized a … Read More

Ice and Flames—Speculative Third Cinemas
by Nate Dorr Political subtexts are common enough in science fictional first cinema. But first cinema is foremost a product to be consumed. All its elements, whatever their apparent values, become subordinated to this purpose. Ideas, then, risk … Read More

Relational Filmmaking as Third Cinema Practice
by mega(n) daalder “Our eyes have grown. / White people see Black people / Hawks see Doves / Poor people see President Nixon / Fat people see hunger / Hungry people see food / Everybody sees Chicago / Soldiers see … Read More

How to distribute glitches in distributed networks
by Nahee Kim What’s the difference between glitch and error? By the definition of Urban Dictionary, a glitch is an error in a structured system. So they are the same but we can sense the difference between them in … Read More

Locating Hollerwood: Alternative film distribution & exhibition activities in Central Appalachia
by Robin Smith Introduction This research provides a look at various contemporary alternative film distribution and access activities in Central Appalachia, with a special focus on films and distribution models that help to represent some of the regional challenges historically … Read More
